Why art history? An encounter with Cézanne...

May 15, 2013


The Still-Life with Compotier

 The Fantasy...
Manhattan. The Museum of Modern Art. I’ve come to look at one of their Cézannes. From across the gallery, I can just make out the object of my quest, his "Still-Life with Compotier." Taking care not to look at it directly, I maneuver myself in front of the painting, stand still, and close my eyes. I wait for as long as I can, but even ten seconds feels excruciating. I open my eyes and absorb the work.

The Power of Luxury - Italian Art and Culture in Machiavelli's Lifetime

May 5, 2013


The following post has been designed as a user-friendly interface, creating a digital compilation of a conference held at the University of Melbourne in February 2013: The Power of Luxury - Art and Culture at the Italian Courts in Machiavelli’s Lifetime.

Restoring the Renaissance - Interview with Maria Ludovica Nicolai

April 26, 2013


La Primavera del Rinascimento (The Springtime of the Renaissance) is attracting a lot of attention. This ambitious show at Palazzo Strozzi in Florence runs from 23 March until 18 August 2013 (link). Its goal is to redefine our perception of the artistic culture of the emerging renaissance, focusing specifically on the role of sculptural production as a creative force in the early quattrocento.

Donatello’s monumental bronze sculpture of Saint Louis of Toulouse is one of the many highlights of this exhibition—newly restored by Dr. Maria Ludovica Nicolai of Florence. Over the years, Ludovica has brought her skills and expertise to many celebrated masterpieces in bronze, including Lorenzo Ghiberti’s Gates of Paradise and Donatello’s David. Along the way, she has enjoyed a privileged intimacy with these and other works—developing unique insights into the artists’ methods and intentions.

Leading restorers like Ludovica have much to tell us, beyond what we read in published technical reports. Three Pipe Problem is hence delighted to present the following interview, allowing an exploration of the unique experiences of a restorer in her own words.